The Synthi Group Vol. 1 Sounds From A Legendary Synthesizer Company

Via: Internet Archive

Formed in 1969, Electronic Music Studios (EMS) quickly became innovators for the recording, production and advancement of electronic music. The ideas and designs that bubbled forth out of the ingenuitive minds of Peter Zinovieff, Tristram Cary, David Cockerell and others, led to the creation of some of the most wildly original musical/sound design equipment ever conceived. The VCS3, Synthi A + AKS, Synthi 100, Synthi E, Synthi Logik and the Soundbeam are among these, almost unworldly, devices.

It is often said EMS gear has attained cult status, reaching a fervor of near worship among its users. The Synthi Group is an example and collection of such users. United through the Synthi blog and forum (www.thesynthi.de) and located throughout the world, the group’s members have come together for a planned series of compilation volume releases where the individuality and approach of each member towards their EMS instrument is showcased and broadcasted for all to experience. The listener will hear wildly different examples of styles and sounds that this original, and oft times, vintage equipment can create.

EMS were true pioneers from the very beginning, always looking beyond the culture and times they were surrounded and seemingly trapped in. Still around today, thanks to Robin Wood and Ludwig Rehberg, they are one of the few companies involved with electronic instrument production that have had a continued run since their inception. The Synthi Group have honed the original pioneering spirit and DIY ethic of EMS with their Volume series, a collection of sounds encompassing beautiful dreamscapes, synaesthetic visions, dark ambience, aural abstractions, sonic absurdities, pulsating analog, glitch, ring modulators, and envelope shapers generating trapezoidal geometry. Beginning with Volume 1, the Synthi Group compilations aim to ensure the story of EMS continues well into the future of electronic music production.”
[Synopsis by Alka]

no subsequent interaction synthi recording

VCS3 Improv C

Gnomes evasion

29days laterrr

29 days laterrr

Can the sound change

Do you observe

Smirk

Frog Waltz

Ich kann den Strom_in der Wand horen

Setting Sun

Trilogia per Delia

Interrupt structure

Descent

Block I

Bump

Dripping party

Harmony suitcase

Syncophant

Download Entire Zip Archive HERE

Breakage: The Intelligent Drum Machine

“Breakage is an intelligent drum machine designed to make it easy and fun to play complex, live breakbeat performances. A step-sequencer pattern editor and previewer, database, sample browser, neural network, pattern morphs, statistics and probabilistic pattern generator give you the tools to work with breaks on a higher level than ever before.”

Press Here To Enter The Site

Press Here To Access Drum Samples At FreeSound.org

iNudge: On-Line Music Sequencer

Press Here To Enter The Site

  • Select 1 of 8 different Sound Patterns from the small Matrixes icons on the right.
  • Use your mouse to draw notes on each 16 Step Matrix.
  • Adjust the volume of the iNudge.
  • Click MORE for advanced adjustment abilities.
  • Get & Share allows you to Send Mail, Get Link, Get Embed code or Spread in communities.
  • Use the Feedback Forum to tell us what you think, leave your comments or make suggestions.
  • Check out MOST LISTENED and NEWEST iNudges below!

Geotagged Sounds on Freesound

Press Here To Enter The Site

Also The FreeSound Blog

The Freesound Project is a collaborative database of Creative Commons licensed sounds. Freesound focusses only on sound, not songs. This is what sets freesound apart from other splendid libraries like ccMixter. New to this site? Read the What is Freesound page to learn more!

Native Instruments Kontakt Scripting Tools

Press Here To Enter The Site

Excellent Kontakt Tools

Features:

Download Now
Windows (4.8 MB) new
Mac OSX (17 MB) new
If you use and like this program please feel free to make a donation to support the development:

  • Syntax highlighting of script code.
  • Indent/dedent selected code (you can indent/dedent several rows with one key press).
  • Automatical reindentation of selected code
  • Pressing F5 runs compiles the code (this lets you declare and use user-defined functions and organize variables into families) and puts the code on the clipboard, ready to be pasted into K2.
    The compiler now reports common errors and automatically moves the cursor to the right place to let you fix them. Furthermore the syntax has been extended.
  • Pressing F10 exports the script to syntax highlighted HTML and automatically opens the page in your browser for previewing.
  • Code completion (pressing Ctrl+Space fills in the rest of the current word).
  • Call tips (pressing Ctrl+Shift+Space shows documentation for the function being called).
  • Parenthesis matching. When you write “)” the corresponding “(” is highlighted.
  • Goto line function
  • Ability to switch between fixed width fonts and variable width ones
  • Ability to choose number of steps (spaces) of indentation and an option to reindentate the whole script when this setting is changed.
  • Unlimited undo / redo
  • The compiler can optionally output compacted code (reducing it’s size by >50%) to help dealing with a K2 bug causing slowdowns for large scripts.
  • ‘end …’ lines can optionally be automatically added and there’s support for automatic indentation of pasted code.
  • Navigation panel which lets one quickly jump to any callback or function.
  • Tabbed interface for editing multiple scripts at the same time.
  • new Code folding and improved syntax highlighting. It is off by default since it makes files slower to load, but can be activated in the Settings menu.

Iannis Xenakis Documents, Writing, Notation & Music

Last FM:

“Iannis Xenakis (Greek: Ιωάννης Ξενάκης) (May 29, 1922 – February 4, 2001) was Romanian-born Greek modernist composer, musical theoretician, and architect. He is widely regarded as one of the most important and influential composers of the twentieth century. His music theory book, Formalized Music: Thought and Mathematics in Composition, is regarded as one of the most important theoretical works of 20th century music.”

More At “Arts Electric”

Music From Mathematics-IBM 7090 1962 Album

UbuWeb: Link Here: Music From Mathematics
“Music From Mathematics” was an album of early electronic music, programmed by the boffins (very likely in authentic period white coats and glasses) at Bell Laboratories way back in the early 1960s, using the then-new IBM 7090 computer and an “electronic to sound transducer”. The music on the album, about half of which is included here, is a mixture of strange, other-worldly blips, rushing white noise, tootly reworkings of classical pieces and a marvellous period “singing computer” version of “A Bicycle Made For Two” (already featured on the 365 Days Project, #62, and so not included again). Full marks to Decca Records for releasing the record – remember that in 1962, these alien sounds would have been totally new, and suitably space-age in their sound.

It’s also interesting to think about the computer technology used to create the record, especially when viewed from forty years on. A little web research revealrs that the IBM 7090 series was the company’s first commercial solid-state (transistorised) computer, its predecessor the 700 series having been based around vacuum tube technology (imagine running a tube-based computer! fantastic!). The new system was of course a huge piece of machinery, requiring its own air-conditioned computer room and a team of technicians to operate it. It had a whole 32KB of core store memory, I/O would usually have been through punched cards or paper tape (no display screen, of course) and yes, it featured lots of suitably impressive flashing lights and whirring tape drives too – see the film “Dr Strangelove” and admire the same technology in action.”

– Phil Clark

TT-11:24 / 10.4MB / 128kbps 44.1khz (MONO)
from the LP “Music From Mathematics” Brunswick (UK) 1962