MEAPsoft works by (a) segmenting original audio up into individual beats or events, (b) calculating some features for each segment, and (c) matching or rearranging segments from one or more pieces to create a new piece of music.
MEAPsoft comes with a wide and increasing range of feature extraction routines, and algorithms for matching and rearranging the segments (called “composers”). MEAPsoft is written in Java, and makes it pretty easy to write your own feature extractors and composers.
“Tristan Perich’s1-Bit Symphony is an electronic composition in five movements on a single microchip. Though housed in a CD jewel case like his first circuit album (1-Bit Music 2004-05), 1-Bit Symphony is not a recording in the traditional sense; it literally “performs” its music live when turned on. A complete electronic circuit—programmed by the artist and assembled by hand—plays the music through a headphone jack mounted into the case itself. The album is available from Cantaloupe Music.”
“This is a little tool I made in connection with the 10th Ludum Dare competition held in December 2007. Its original purpose was to provide a simple means of getting basic sound effects into a game for those people who were working hard to get their entries done within the 48 hours and didn’t have time to spend looking for suitable ways of doing this.
The idea was that they could just hit a few buttons in this application and get some largely randomized effects that were custom in the sense that the user could accept/reject each proposed sound.
It turned out to work rather well and a lot of the entrants used it, which is cool. Anyone else in the same situation (need some basic sound effects, don’t really care about top quality, have no idea where to get them) should find it pretty useful, if nothing else then just as placeholder sounds to kill the silence until final content has been produced.
Basic usage involves hitting the randomize button (or one of the other buttons to your left if you need a specific standard sound), listen to the generated sound, then deciding if it sounds ok or not. If it does, then export it to .WAV and you’re done, if not – just hit the button again and get something different.
All the parameters used to create each sound are manually tweakable to allow fine-tuning if you feel like getting your hands dirty. Space is a useful shortcut to play the current sound.
There will probably be a minor update of this in the near future, adding some convenient features.
Project coordinated by: Steve Wilson (HRHRC), Quinn Stewart (School of Information, University of Texas) and Grete Pasch (UFM). Rich media players and software tools by GLIFOS. Hosting and technical support provided by Shane Williams, David Wilson, and the School of Information IT Lab.
Wiki:Aldous Leonard Huxley (26 July 1894 – 22 November 1963) was an English writer and one of the most prominent members of the famousHuxley family. He spent the later part of his life in the United States, living in Los Angeles from 1937 until his death in 1963. Best known for his novels including Brave New World and a wide-ranging output of essays, Huxley also edited the magazine Oxford Poetry, and published short stories, poetry, travel writing, and film stories and scripts.
By the end of his life Huxley was considered, in some academic circles, a leader of modern thought and an intellectual of the highest rank, and highly regarded as one of the most prominent explorers of visual communication and sight-related theories as well.[
Flexible architecture: SunVox can working on variuos devices. For example: PDA with slow CPU – 16bit sound (fixed point arithmetic); or big PC with powerfull CPU: 32bit sound (floating point arithmetic).
“Students of music composition can explore algorithmic composition, while others can create musical representations of models for the purpose of aural interpretation and analysis. Here, the algorithmic process is used in a creative context so that users can convert sequences of numbers into sounds.”
“Chi crederia che sotto forme umane e sotto queste pastorali spoglie fosse nascosto un Dio? Non mica un–[“Who would believe that under human form and under this pastoral garb there would be found a God? Not only a….”]. As of mid-May 2009, this phonautogram of the opening lines of Torquato Tasso‘s pastoral dramaAminta is the earliest audible record of recognizable human speech–at least, recognizable enough to follow if you already know the words. (The April 9, 1860 recording of Au Clair de la Lune appears to be earlier, but it is sung, not spoken.) Édouard-Léon Scott de Martinville recorded it for the physicist Henri Victor Regnault, probably in April or May 1860, as a “study of the tonic accent,” so he was more interested in capturing the intonation than the words anyway. But there’s a mistake in the recorded recitation. “I was wrong,” Scott wrote at the bottom: “it should be umane forme.” By apologizing for reversing the word order, Scott indirectly identifies himself as the speaker.”