It offers a systematic and non-genre specific approach to music analysis and composition, a descriptive rather than prescriptive grammar of music. The Schillinger System might have served as a road map for many later developments in music theory and composition. Instead, it languished in relative obscurity”
Formed in 1969, Electronic Music Studios (EMS) quickly became innovators for the recording, production and advancement of electronic music. The ideas and designs that bubbled forth out of the ingenuitive minds of Peter Zinovieff, Tristram Cary, David Cockerell and others, led to the creation of some of the most wildly original musical/sound design equipment ever conceived. The VCS3, Synthi A + AKS, Synthi 100, Synthi E, Synthi Logik and the Soundbeam are among these, almost unworldly, devices.
It is often said EMS gear has attained cult status, reaching a fervor of near worship among its users. The Synthi Group is an example and collection of such users. United through the Synthi blog and forum (www.thesynthi.de) and located throughout the world, the group’s members have come together for a planned series of compilation volume releases where the individuality and approach of each member towards their EMS instrument is showcased and broadcasted for all to experience. The listener will hear wildly different examples of styles and sounds that this original, and oft times, vintage equipment can create.
EMS were true pioneers from the very beginning, always looking beyond the culture and times they were surrounded and seemingly trapped in. Still around today, thanks to Robin Wood and Ludwig Rehberg, they are one of the few companies involved with electronic instrument production that have had a continued run since their inception. The Synthi Group have honed the original pioneering spirit and DIY ethic of EMS with their Volume series, a collection of sounds encompassing beautiful dreamscapes, synaesthetic visions, dark ambience, aural abstractions, sonic absurdities, pulsating analog, glitch, ring modulators, and envelope shapers generating trapezoidal geometry. Beginning with Volume 1, the Synthi Group compilations aim to ensure the story of EMS continues well into the future of electronic music production.”
[Synopsis by Alka]
This is a collection of my studies, extracted while developing my commercial projects or just by researching new technologies. You are welcome to leave comments. Please don’t ask for source codes.
I release them whenever I can. However a lot of souces of the recent stuff is stacked at googlecode“
As time passes, asteroids are highlighted white and then colored by how closely they come to our inner solar system. Earth crossers are red, Earth approachers are yellow, and all others are colored green.
What you get is a view of the solar system’s planets and asteroids orbiting the sun and these beautiful sparkles in sky. As automated sky scanning systems come online in the 1990s, we see waves of discoveries. Then starting at the beginning of 2010, we see a discovery pattern as a result of the Wide-field Infrared Survey Explorer, which has been tasked with mapping all infrared light in the sky.
A very short but interesting documentary following the recording of Pedro Carneiro’s interpretation of Xenakis’ Okho, Psappha and Rebonds, three highly demanding pieces for percussion. The first part is a recording of a performance of Rebonds B in a Parisian church. The second section offers a brief insight into the recording process of such pieces, exploring technical and artistic issues surrounding the production of Carneiro’s interpretation. Differences between recording and performing are briefly addressed, centering on the need for the creation of dynamics and contrasts that are unreachable in the performance hall. The figure of the producer, so often neglected outside the field of pop music, is highlighted before turning on to short statements about Xenakis’ music, its mathematical apparatus and its profoundly physical nature. — Eye of Sound